Course Descriptions - Music


MUS100 Basic Ensemble (1-0-1)

This course is designed to develop skills in music reading and ensemble performance. Class time is dedicated to sight-reading music in classical, jazz, and folk styles; reading and performing rhythm and scale exercises; and preparing music for performance. Fall only

MUS106 Ear Training and Sight Singing (3-0-3)

This course develops students’ competencies in sight singing in major and minor keys as well as reading skills in simple and compound meters using solfège—movable Do and Do based minor—and Gordon based rhythmic patterns. Students also develop ear training skills including identifying melodic intervals and triad quality

MUS112 Music Notation Software Basics (1-0-1)

This course introduces the essential aspects of music notation using the Sibelius music-writing software program. The course covers the notation of music for single instrument and voice, as well as small and large ensembles, and includes some rudimentary concepts of music arranging. Music-writing rules and traditions for score formats, notation, lyrics, dynamic expression, and text, are studied using various input methods such as the QWERTY keyboard and MIDI keyboard. This course assumes basic music reading and computer skills on the part of the student. Spring only

MUS113 Basic Ensemble II (1-0-1)

This course prepares students for the sight reading portion of a college music audition by developing skills in music reading and performance. Students sight read music in a variety of styles and meters; read and perform more complex rhythm and scale exercises and prepare music for performance as part of an ensemble. PR/CR: MUS 135 or permission of the School of Music Spring only

MUS114 Wind Ensemble (0-4-1)

This course provides the student with a medium for the performance of large and moderate size works primarily for brass, woodwinds, and percussion. Students are given the opportunity to perform works selected on the basis of artistic and historical significance as well as pedagogical importance. The course provides an experience in concert preparation and rehearsal techniques along with positive performance experiences. Performances will be open to the public.

PR: Audition/Permission of Instructor

MUS115 Rock Music Style and Development (3-0-3)

This course explores the historical development of rock music in terms of musical style as well as of rock music’s role as a social, cultural, economic and political force. The course covers the pre-existing styles (pop, country and western, rhythm and blues, jazz, folk, gospel and classical music) that impacted the evolution of rock music. Directed listening exercises emphasize music listening skills and reinforce concepts of musical style and elements such as rhythm, pitch, dynamics, timbre and form.

MUS116 Jazz Ensemble (0-2-1)

This course provides students with the opportunity to perform classic and contemporary jazz music for big band. Performances will be open to the public and occur both on and off campus.

MUS117 Flute Ensemble (1-0-1)

This course provides the student with a medium for the performance of chamber music for various size flute ensembles. Students are given the opportunity to perform works selected on the basis of artistic and historical significance as well as pedagogical importance with special emphasis on the development of independence in chamber music performance skills. The course provides an experience in concert preparation and rehearsal techniques along with positive performance experiences. Performances will be open to the public.

PR: Audition/Permission of Instructor

MUS118 Vocal Chamber Ensemble (0-3-1)

This course provides students opportunities to perform a broad range of classic and contemporary works for chamber choral ensemble. Special emphasis will be placed on the development of proper musical techniques including singing, diction, as well as performing in a variety of languages.

PR: Audition/Permission of Instructor

MUS119 Brass Ensemble (1-0-1)

This course provides the student with a medium for the performance of chamber and larger size works for brass instruments. Students are given the opportunity to perform works selected on the basis of artistic and historical significance as well as pedagogical importance with special emphasis on the development of performance skills. The course provices an experience in concert preparation and rehersal techniques along with positive performance experiences. Performances will be open to the public.

PR: Audition/ Permission of Instructor

MUS120 World Music Styles (3-0-3)

This course introduces the music of major world cultures from Africa, the Middle East, Iran, India, Indonesia, Japan, China, and America, and the many ways people perceive and utilize music. Musical examples range from selections from major urban centers to small tribal villages. This course also covers how different forms of music function in unique cultural contexts.

MUS121 The Enjoyment of Music I (3-0-3)

This course in the appreciation of art music of the Western world examines major styles, examples of the great musical works and composers, and relationships with the other arts. The vocabulary and materials of music are presented with examples from major style periods of music. This is followed by a survey of music beginning in the Middle Ages and continuing into the 21st Century. The development of listening skills is emphasized.

MUS122 Guitar Ensemble (1-0-1)

This course provides the student with a medium for the performance of chamber music for various size guitar ensembles. Students are given the opportunity to perform works selected on the basis of artistic and historical significance as well as pedagogical importance with special emphasis on the development of independence in chamber music performance skills. The course provides an experience in concert preparation and rehearsal techniques along with positive performance experiences. Performances will be open to the public.

PR: Audition/Permission of Instructor

MUS124 Classical Guitar Ensemble (1-0-1)

This course provides the student with a medium for the performance of chamber music for various size classical guitar ensembles. Students are given the opportunity to perform works selected on the basis of artistic and historical significance as well as pedagogical importance with special emphasis on the development of independence in chamber music performance skills. The course provides an experience in concert preparation and rehearsal techniques along with positive performance experiences. Performances will be open to the public.

PR: Audition/Permission of Instructor

MUS126 Percussion Ensemble (0-0-1)

This course provides the student with a medium for the performance of large and moderate size works for mixed percussion. Students are given the opportunity to perform works selected on the basis of artistic and historical significance as well as pedagogical importance with special emphasis on the development of multi-instrument percussion skills. The course provides an experience in concert preparation and rehearsal techniques along with positive performance experiences. Performances will be open to the public.

PR: Audition/Permission of Instructor

MUS127 Jazz Styles and Development (3-0-3)

This course introduces students to the styles and literature of jazz, a uniquely American art form, and its relationships to popular art music. The course covers jazz development, beginning with pre-jazz styles such as ragtime and blues, and proceeds to swing, bebop, cool, third stream, avant-garde, fusion and contemporary music.

MUS128 Jazz Combo (0-0-1)

This course provides students with opportunities to perform classic and contemporary jazz music in a small group format. Special emphasis is placed on group interaction, improvisation, and independent playing. Performances will be open to the public and occur both on and off-campus.

PR: Audition/Permission of Instructor

MUS130 Chamber Ensemble (1-0-1)

This course provides the student with a medium for the performance of mixed instrument chamber music. Students are given the opportunity to perform works selected on the basis of artistic and historical significance as well as pedagogical importance with special emphasis on the development of independent rehearsals, the course provides positive chamber music performance experiences.

MUS131 African American Music Survey (3-0-3)

This appreciation and literature course is a survey of African American musical genres and styles. Topics of study range from the slave and folk songs of 19th century America to the popular and classical compositions of the 20th and 21st century African Americans. An emphasis will be placed on the development of listening skills.

MUS132 Chorus (0-4-1)

This course provides students with the opportunity to perform a broad range of classic and contemporary works for chorus. Special emphasis will be placed on the development of proper musical techniques including singing, diction, as well as performing in a variety of languages.

MUS133 Digital Music and Beat Prod I (3-0-3)

This course introduces the basic music theory concepts, their application to the orgainzation of percussion beats and music samples in varying music styles. The course also covers the organizaiton of tempo maps, sampling, and durm beats using Avid Pro Tools software, as well as the creation of original compositions using MIDI to enhance existing music samples. Basic legal topics such as copyright, leasing, and registering original peices of music are covered.

MUS134 Digital Music and Beat Prod II (3-0-3)

This course includes the creation of compositions and beats through the synthesizing of original sounds and using recording techniques to blend in live instruments. Analysis of modern beats and the replication of techniques used by popular music producers is covered as well as recording vocal top lines over compositions. Industry standard software such as Boom, Xpand!2, and Structure Free in conjunction with Avid Pro Tool 12 is used. PR MUS 133, MUS 147 and MUS 178. MUS 147 and MUS 178 may be taken concurrently.

MUS135 Applied Music I (1-0-2)

Applied Music I and II consists of weekly one-on-one lessons with a studio instructor and is designed to help students achieve basic competencies in musical performance. Students study techniques and repertoire appropriate to the individual student’s instrument or voice. With the studio instructor’s guidance, students will set personal goals in musicianship and work towards those goals. The course is also used to prepare students for an entrance audition for the AS or AAS music degree programs. In addition to the lessons, a minimum of fourteen hours of weekly individual practice is required.

MUS136 Applied Music II (1-0-2)

Applied Music I and II consists of weekly one-on-one lessons with a studio instructor and is designed to help students achieve basic competencies in musical performance. Students study techniques and repertoire appropriate to the individual student’s instrument or voice. With the studio instructor’s guidance, students will set personal goals in musicianship and work towards those goals. The course is also used to prepare students for an entrance audition for the AS or AAS music degree programs. In addition to the lessons, a minimum of fourteen hours of weekly individual practice is required.

MUS147 Music Fundamentals (3-0-3)

The basic course in fundamentals of tonal music is designed to develop competencies in the reading and writing of notes, scales, key signatures, intervals, chords, and rhythmic elements. F, S

MUS151 Theory I (2-0-2)

Theory I covers the fundamentals of tonal music, scales, modes, triads, seventh chords, and cadences. This course prepares the student for more detailed analysis of rhythm, texture, and form, with an emphasis on basic harmony and eighteenth century voice leading practices.

PR: Acceptance into music degree program CR: MUS 155 Fall only

MUS152 Theory II (2-0-2)

Theory II builds on the concepts of Theory I (MUS 151) and covers the eighteenth century voice leading practices, root movements and progressions, and figured bass theory and usage. Dominant seventh chords and non-dominant seventh chords are introduced. Also included are secondary dominants, modulation, applications of cadential formulas, and dance forms including binary and simple ternary forms.

PR: MUS 151 CR: MUS 156 Spring only

MUS155 Aural Skills I (1-1-1)

This course focuses on skills to enhance performance through the recognition, mental imaging and vocal performance of a broad range of musical structures. The course begins with the fundamentals of tonal music, scales, rhythmic patterns, intervals, modes, triads, seventh chords, and chord patterns. Students are trained to aurally recognize, notate and vocally reproduce these elements. The course also emphasizes sight singing, harmonic, rhythmic and melodic dictation and the use of solfège as a learning and study tool.

PR: MUS 151, Acceptance into music degree program. MUS 151 may be taken concurrently.

MUS156 Aural Skills II (1-1-1)

This course continues and expands skills developed in MUS 155 Aural Skills I. The course designed to enhance performance through the recognition and mental imaging of a broad range of musical structures and continues work in the fundamentals of tonal music: scales, rhythmic patterns, modes, triads, seventh chords, and chord patterns. The course introduces modulations, non-harmonic tones, inversions of seventh chords, and four voice chord progressions and patterns. Students are trained to aurally recognize, notate and vocally reproduce these elements. The course also emphasizes sight singing and the use of solfège as a learning and study tool.

PR: MUS 155 CR: MUS 152 Spring only

MUS157 Conducting I (2-0-1)

This course introduces the basic techniques and competencies of conducting: posture and hand position, baton usage, foreign and technical terms, a survey of large ensemble repertoire, metric patterns in two, three, and four, instrumental transpositions, string bowings, score reading, preparation and analysis, preparatory gestures, gestures of syncopation, fermata and caesura problems. Prepare and conduct simple scores in class and analyze orchestral and other scores. Other topics will include rehearsal technique and interpretation.

PR: MUS 152, MUS 257 Fall only

MUS158 Conducting II (2-0-1)

This course continues study of the basic conducting techniques with simple, compound, asymmetric and subdivided metric patterns, as well as rehearsal techniques and planning. Separate instrumental and choral conducting techniques are introduced. Students learn a systematic procedure for marking scores and conduct scores in class. Other topics include cuing and left hand independence, changing tempi, concert programming and interpretation.

PR: MUS 157 Spring only

MUS161 Performance Organization I (0-0-1)

MUS 161, 162, 261, 262 are the performing ensembles of the SCCC Music Department. They include the Wind Ensemble, Jazz Ensemble, Chorus, Percussion Ensemble, Guitar Ensembles, Woodwind Chamber Ensemble and Vocal Chamber Ensemble. Participation in ensembles is open to all students by audition and/or permission of the Department.

PR: Audition or permission of the Department Fall only

MUS162 Performance Organization II (0-0-1)

PR: MUS 161 or permission of the Department Spring only

MUS163 Performance Concentration I (2-0-2)

Performance Concentration develops the student’s performance and teaching skills to the highest possible level through the careful study of techniques, sight-reading/sight-singing and repertoire appropriate to the individual student’s instrument or voice with a private studio instructor. Weekly Performance Classes with division instructors provide practical experience in performance and critical analysis. In addition, this course requires attendance of several faculty, student, and guest artist concerts presented throughout the semester which provide demonstrations of peer and professional level performance techniques. Division Recitals, given towards the end of the semester, provide a practical experience for each student in formal performance. A final performance examination is administered by a faculty panel, including the studio instructor, at the conclusion of MUS 164 and MUS 264. This course is restricted to students who have been accepted into the Performing Arts: Music A.S. or Music Audio Technology A.A.S. degree.

MUS164 Performance Concentration II (2-0-2)

Performance Concentration develops the student’s performance and teaching skills to the highest possible level through the careful study of techniques, sight-reading/sight-singing and repertoire appropriate to the individual student’s instrument or voice with a private studio instructor. Weekly Performance Classes with division instructors provide practical experience in performance and critical analysis. In addition, this course requires attendance of several faculty, student, and guest artist concerts presented throughout the semester which provide demonstrations of peer and professional level performance techniques. Division Recitals, given towards the end of the semester, provide a practical experience for each student in formal performance. A final performance examination is administered by a faculty panel, including the studio instructor, at the conclusion of MUS 164 and MUS 264. This course is restricted to students who have been accepted into the Performing Arts: Music A.S. or Music Audio Technology A.A.S. degree.

MUS167 Percussion Techniques (1-0-1)

Percussion Techniques familiarizes students with the fundamentals of percussion performance and pedagogy. Topics include snare and other drum techniques, timpani, mallet percussion, Latin percussion and other non-Western styles, accessories and percussion ensembles..

PR: Successful music degree program audition.

MUS168 Vocal Techniques (1-0-1)

This course presents fundamentals of basic vocal production as a foundation for a healthy and musically appropriate use of the voice in song. Vocalizes and song are the resource materials. Principles of breathing and placement, and public school pedagogy and instruction are emphasized. Not applicable for voice concentration students.

PR: approved entrance audition for music degree programs

MUS169 Guitar Techniques (1-0-1)

This course is designed to develop basic competencies in guitar accompaniment for classroom singing and in teaching a beginning guitar class unit within a public school general music sequence. Not applicable for guitar concentration students.

PR: approved entrance audition for music degree program

MUS171 Beginning Voice Class (2-0-2)

This course presents the fundamentals of basic vocal production and is appropriate for students with no prior vocal instruction. Students develop vocal technique with an emphasis on proper breathing and voice placement through the study of classical and folksong repertoire. The course introduces techniques in pronunciation and diction, pitch control, tone development, and song preparation in Italian, English, and other languages. The course also introduces the basics of vocal anatomy. In addition, students explore the differences between classical, jazz, pop, and musical theater vocal techniques. Vocal score reading is emphasized throughout.

MUS178 Audio Recording I (3-0-3)

This course presents the basic elements of sound as well as sound generation and recording. Students work on the routing of sound and the principles of recording and tracking in a virtual mixing console environment. The course also covers utilizing specialized equipment for audio tracking including preamps, various types of microphones, compressors and limiters. Other topics include Pro Tools software; the principles required to complete a recording project, from initial set up to final mix; and industry-specific terms used by recording engineers to describe and measure sound levels and frequency content.

PR: MUS 106 or MUS 147, or acceptance into music degree program. MUS 106 or MUS 147 may be taken concurrently.

MUS179 Audio Recording II (3-0-3)

CThis course builds on and is a continuation of MUS 178 Audio Recording I. Using AVID ProTools software in conjunction with a Pro Control 24 automated mixing console and an Avid M-box, students will complete a variety of audio projects, including music as well as radio and TV commercials. Course projects incorporate mixing and mastering techniques using multi-band compression, equalization, and limiting.

PR: MUS 106, MUS 151; or MUS 178 Concurrent: MUS 147 or MUS 152

MUS180 Introduction to Music Therapy (1-0-1)

This course is an introduction to the music therapy career field. It presents the historical background and philosophical basis of music therapy. The course examines music therapy processes and how they are applied across a number of client populations. This course also explores the role of the music therapist as a healthcare field professional and the education and training required to become a board certified music therapist.

MUS181 Beginning Piano (2-0-2)

This course provides group instruction for beginning level students. Students learn to read music and develop technical proficiency at the piano through preparation and performance of progressively difficult music. Keyboard ensemble activities are stressed and provide additional opportunities for rhythmic and musical development.

MUS182 Intermediate Piano (2-0-2)

This course provides group instruction for intermediate level students. Students further develop music skills and technical proficiency acquired in MUS 181 through preparation and performance of progressively difficult music. Keyboard ensemble activities are stressed and provide additional opportunities for rhythmic and musical development.

PR: MUS181 or permission of the Instructor or Dean.

MUS195 Music Experimental (3-0-3)

This course in an introduction to the basic elements of sound as well as sound generation and recording. The course will focus primarily on the routing of sound in a virtual mixing console environment and the principles of recording and and tracking. Equipment used for tracking such as pre-amps, various types of microphones, compressors and limiters will be introduced. This course also presents the basic Pro Tools software principles required to complete a recording project from initial set up to final mix. Industry-specific terms used by recording engineers to describe and measure sound levels and frequency content will be covered.

PR: MUS 152, 156

MUS208 Jazz Harmony and Accompaniment III (1-0-1)

This course provides continuing development of the concepts introduced in MUS 108. The styles to be studied include swing, bebop, Latin, funk, blues and jazz rock. Composers whose works will be studied include Parker, Davis, Hancock, Ellington, Gillespie, Monk, Kern and Gershwin.

PR: MUS 108

MUS209 Jazz Harmony and Accompaniment IV (1-0-1)

This course provides continuing development of the 104 concepts introduced in MUS 108. The styles to be studied include swing, bebop, Latin, funk, blues, and jazz rock. Composers whose works will be studied include Parker, Davis, Hancock, Ellington, Gillespie, Monk, Kern and Gershwin.

PR: MUS 108

MUS210 Lab Ensemble III (1-0-1)

This course provides development of skills in sight reading on the student's concentration instrument or in voice. Different styles including classical, jazz, rock, Latin, musical theatre and commercial music will be presented with emphasis on reading a high volume of literature. This course is recommended for students preparing a career in performance.

PR: approved entrance audition for degree programs

MUS230 Live Sound Reinforcement (3-0-3)

This course introduces concepts of analog and computer-based audio signal path, equipment selection, and systems design. The course provides aural skills training necessary for live sound reinforcement and covers aspects of live sound microphone selection/placement and mixing.

PR: MUS 152 or permission of the Dean.

MUS231 Music Business (3-0-3)

This course explores the history and development of the music industry and gives the student experience in identifying and navigating practical, legal, and procedural issues within the music industry. This course also provides an overview of music merchandising, music publishing, recording arts management, copyright law and licensing as well as identifies career options throughout the music business.

MUS232 Jazz Improvisation I (2-0-2)

This course provides an introduction to the study of jazz improvisation. Topics include chord scales, modes, arpeggios and harmonic formulae. Special emphasis will be placed on common compositional structures including AABA and blues forms. Material to be studied will include jazz standards by Gershwin, Ellington, Charlie Parker, and others.

PR: MUS 152

MUS235 Music Business II (3-0-3)

This course continues the examination, begun in MUS 231, of practical, legal, and procedural issues encountered in the music industry. The course explores music publishing, recording arts management, artist management, emerging trends and technologies, marketing, and the recording industry and its history. Career options in the music business are identified throughout the course.

PR: MUS 231

MUS251 Theory III (2-0-2)

This course reviews and builds on the concepts of Theory II (MUS 152) beginning with an emphasis on original four-voice chorale composition in accordance with common-practice harmonic and counterpoint principles. The course introduces the voice leading and analysis of borrowed chords, Neapolitan 6th chords, augmented 6th chords, and chord extensions (9th, 11th, and 13th chords). The course also introduces variation technique and rondo form.

PR: MUS 152 CR: MUS 255

MUS252 Theory IV (2-0-2)

Theory IV builds on the concepts of MUS 251, Theory III and covers two-voice eighteenth century counterpoint, altered dominants, chromatic mediants, enharmonic modulation, and common tone diminished 7th chords. There is a focus on the analysis of sonata form. Twentieth century topics include impressionism, twelve-tone techniques, and the analysis of pitch class sets. The course includes a review of classical and romantic forms.

PR: MUS 251 CR: MUS 256

MUS255 Aural Skills III (1-1-1)

This course continues and expands skills developed in MUS 156 Aural Skills II. The course is designed to enhance performance through the recognition and mental imaging of a broad range of musical structures and continues work in the fundamentals of tonal music: scales, rhythmic patterns, modes, triads, seventh chords, and chord patterns. The course introduces chromatic and secondary harmonies, modulation to closely related keys, leaps greater than a sixth, asymmetrical meters, changing meters and tempi. Students aurally recognize, notate, vocally reproduce, and analyze these elements. The course also emphasizes sight singing, the use of solfège—movable Do and Do based minor—and Gordon based rhythmic patterns.

PR: MUS 156 CR: MUS 251

MUS256 Aural Skills IV (1-1-1)

This course continues and expands skills developed in MUS 255 Aural Skills III. The course is designed to enhance performance through the recognition and mental imaging of a broad range of musical structures and continues work in the fundamentals of tonal music: scales, rhythmic patterns, modes, triads, seventh chords, and chord patterns. The course introduces foreign modulation, augmented sixth chords, impressionist devices, twelve-tone technique, set theory, and other twentieth century elements. Students aurally recognize, notate, and vocally reproduce, and analyze these elements. The course also emphasizes sight singing, the use of solfège —movable Do and Do based minor—and Gordon based rhythmic patterns.

PR: MUS 255 CR: MUS 252

MUS257 Literature and Style I (3-0-3)

Literature and Style I is a comprehensive survey of Western art music styles of the Medieval, Renaissance, Baroque, and Classic periods.

PR: Successful music degree program audition CR: MUS 151, 155 Fall only

MUS258 Literature and Style II (3-0-3)

Literature and Style II is a comprehensive survey of Romanitic, Twentieth Century, contemporary and jazz art music styles.

PR: MUS 257 CR: MUS 152, 156 Spring only

MUS261 Performance Organization III (0-0-1)

PR: MUS 162 or permission of the Department Fall only

MUS262 Performance Organization IV (0-0-1)

PR: MUS 261 or permission of the Department Spring only

MUS263 Performance Concentration III (2-0-2)

Performance Concentration develops the student’s performance and teaching skills to the highest possible level through the careful study of techniques, sight-reading/sight-singing and repertoire appropriate to the individual student’s instrument or voice with a private studio instructor. Weekly Performance Classes with division instructors provide practical experience in performance and critical analysis. In addition, this course requires attendance of several faculty, student, and guest artist concerts presented throughout the semester which provide demonstrations of peer and professional level performance techniques. Division Recitals, given towards the end of the semester, provide a practical experience for each student in formal performance. A final performance examination is administered by a faculty panel, including the studio instructor, at the conclusion of MUS 164 and MUS 264. This course is restricted to students who have been accepted into the Performing Arts: Music A.S. or Music Audio Technology A.A.S. degree.

MUS264 Performance Concentration IV (2-0-2)

Performance Concentration develops the student’s performance and teaching skills to the highest possible level through the careful study of techniques, sight-reading/sight-singing and repertoire appropriate to the individual student’s instrument or voice with a private studio instructor. Weekly Performance Classes with division instructors provide practical experience in performance and critical analysis. In addition, this course requires attendance of several faculty, student, and guest artist concerts presented throughout the semester which provide demonstrations of peer and professional level performance techniques. Division Recitals, given towards the end of the semester, provide a practical experience for each student in formal performance. A final performance examination is administered by a faculty panel, including the studio instructor, at the conclusion of MUS 164 and MUS 264. This course is restricted to students who have been accepted into the Performing Arts: Music A.S. or Music Audio Technology A.A.S. degree.

MUS270 Studio Literature (1-0-1)

This course offers a series of one-on-one sessions with the student’s Performance Concentration studio instructor. The student is guided through the study of the seminal literature that has historically, musically, and technically impacted their concentration including orchestral excerpts and operatic excerpts where appropriate. Recorded performances are studied to reinforce the student’s understanding of style and performance practice. This course is intended to prepare the student for MUS 272 (Recital) and guides the student through the process of selecting an appropriate recital program for performance in MUS 272 in a subsequent semester.

PR: Approval of School of Music faculty and studio instructor CR: MUS 163, 164, 263, or 264 (Performance Concentration I, II, III, IV)

MUS272 Recital (1-0-1)

This course offers a series of one-on-one sessions with the student’s Performance Concentration instructor. The student is guided through the process of planning, preparing, and performing a solo recital. Repertoire selections for this recital are the end result of MUS 270, Studio Literature. In addition to the musical preparation, the student is guided through the coordination of each aspect of the recital, from the facilities arrangements to the actual performance.

PR: MUS 270 CR: MUS 163, 164, 263, OR 264 (Performance Concentration I, II, III, or IV)

MUS278 Audio Recording III (3-0-3)

This course builds on and is a continuation of MUS 179 Audio Recording II. Students will formulate, design, and complete individualized projects using AVID ProTools software in a live recording studio environment. Students’ course projects will incorporate advanced recording, mixing, mastering, compression, and microphone techniques.

PR: MUS 179, MUS 151, Admissions to A.A.S. Music Audio Technology degree program. MUS 151 may be taken concurrently.

MUS280 Music Business Internship (1-6-3)

This course provides students with a structured practical experience in a professional music business environment. The experience may be in audio recording, live sound, music management, or live music production, according to students’ interests. The course requires a minimum of 90 hours of supervised field experience and fifteen hours of classroom instruction. This course also provides preparation for Avid Pro Tools 110 User Certification.

PR: MUS 152, MUS 278, Minimum 2.5 GPA, Minimum 30 hours completed towards degree, Permission of School of Music.

MUS283 Music in Contemporary Education (3-2-3)

This course provides an overview of the professional world of music education. The course covers processes of learning; goals and objectives; basis for selection of strategies, materials and functional techniques; and evaluative considerations within a consistent philosophical rationale related to contemporary education environments. Emphasis is on school grades K-6. Thirty clock-hours of supervised observations in local public schools and in-class teaching opportunities are an integral part of this course.

PR: MUS 152 and 156 Fall only

MUS284 Music in Contemporary Education II (3-0-3)

This course provides an overview of current methods, materials and practices in secondary school music instruction. The course covers all aspects of teaching music at the secondary school level, with emphasis on active learning that engages students and involves them directly in the learning process. Particular attention is given to the developmental needs and interests of secondary school students. Thirty clock-hours of supervised observation in local public schools and in-class teaching opportunities are an integral part of this course.

PR: MUS 152 and MUS 156 Spring only

MUS285 Brass Techniques (2-0-2)

This course familiarizes music students with the fundamentals of brass instruments and pedagogy. Topics and activities include the development of intermediate performance skills on trumpet and trombone and the discussion and demonstration of horn, tuba, and euphonium. This course also focuses on pedagogical approaches for beginning students, basic maintenance of instruments, and instrument accessories.

PR: MUS 152, 156

MUS286 Woodwind Techniques (2-0-2)

This course familiarizes music students with the fundamentals of woodwind instruments and pedagogy. Topics and activities include the development of intermediate performance skills on flute, clarinet, and saxophone and the discussion and demonstration of oboe and bassoon. This course also focuses on pedagogical approaches for beginning students, basic maintenance of instruments, and instrument accessories.

PR: MUS 152, MUS 156

MUS287 Keyboard Techniques I (1-0-1)

This course introduces functional keyboard skills including harmonization, accompaniment styles, improvisation, and analysis. Activities include performance of single line melodies with accompaniment and basic piano repertoire, and exercises in harmonic progressions, scales, and transpositions. This course also emphasizes reading of single and multi-stave scores.

PR: Successful music degree program audition

MUS288 Keyboard Techniques II (1-0-1)

This course continues the development of functional keyboard skills introduced in MUS 287 including harmonization and accompaniment in various styles, improvisation, transposition, and pedagogy. Students harmonize melodies using primary and auxiliary diatonic chords, and secondary (applied) dominants. Course activities include performing intermediate level piano repertoire, multi-stave score reading, 17th century-style figured bass exercises, scales, and harmonic progressions.

PR: MUS 287

MUS289 Keyboard Techniques III (1-0-1)

This course reinforces and further develops functional keyboard skills introduced and developed in MUS 287 and 288. Students harmonize melodies that emphasize chromatic harmonies including secondary (applied) dominant and leading tone chords, as well as melodies that modulate. Students also focus on more advanced piano repertoire that contains elements of chromatic harmony including borrowed chords, augmented sixth chords and Neapolitan chords. Course activities also include performing vocal accompaniments, multi-stave score reading, 17th century-style figured bass exercises, scales, and harmonic progressions.

PR: MUS 288


Last Updated: 09/18/19 08:31pm ET